An exhibition needs a space
to exhibit and, it seems, we have one. It’s needs a time and that’s looking
like a week during August. (Details to follow.) And it needs something to
exhibit, which will be photos from the huge and varied archive of Clive’s
work. Due to Clive suffering a
loss of vision, we were inspired to find a way for him to reconnect with his
photography and that way was via feel; the exhibition will follow that theme. The immensely impressive (or should that
be impressively immense?) image of Sheffield boxer Dave Howe created for Clive
by Estudios Durero in Spain will take centre stage. It was too expensive to commission
another twenty such images to make a proper exhibition, so we’ve been looking at
alternatives.
Sue King and Michelle Lee,
tactile image specialists at the Royal National Institute for the Blind (RNIB)
have helped us create a tactile image of a photo of a friend of Clive’s playing
her violin. The image was chosen because of its simple shapes, such as the body
of the violin, the bow at right angles, the four strings and that Gabrielle’s
face is square to the camera.
99% of the work to produce
the RNIB tactile image is by their designers choosing what details to keep and
what to lose, so as to simplify the image and then pick out which lines to
raise. The black lines, printed on special paper, swell up when heated to give
a low relief that can be felt.
When you look at the tactile
image, and the photo from which it was taken, you can see straight away that it
lacks the aesthetical beauty of the Spanish Didú image, which manages to
combine the tonal range of a photo with 3D volume. In fact, the RNIB image isn’t
pretending to be anything other than a guide for a blind or partially sighted
person as to what is in the original image. It’s supplied with a verbal
description which could be read to the person or supplied via audio or braille.
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